Turned stand in Oak	...............................
Trellis stand in Turned Oak	...............................
Soundboard painting	...............................
Flemish block papers with Latin 'Motto'	...............................
Painted faux marble exterior	...............................

18th Century Flemish Harpsichords

Single Manual Harpsichord after Bull 1779

2 x 8’, 1 x 4’, FF-f3,transposer

...............................

Single Manual Harpsichord after Dulcken 1747

2 x 8’, 1 x 4’, FF-f3,transposer

...............................

Double Manual Harpsichord after Dulcken 1745

2 x 8’, 1 x 4’, FF-f3,transposer

...............................

Options for 18th C. Flemish Harpsichords:

Turned stand in Oak	...............................
Soundboard painting	...............................

German Harpsichords

Single Manual Harpsichord after Zell 1741

2 x 8’, FF-d3, transposer	...............................
2 x 8’, 1 x 4’, FF-d³, transposer	...............................

Double Manual Harpsichord after Zell 1728

2 x 8’, 1 x 4’, FF-f3,transposer

...............................

Options for German Harpsichords:

Turned stand with lower rail	...............................
Soundboard painting	...............................
Lid painting in German style	...............................

French Harpsichords

Double Manual Harpsichords after Blanchet, Taskin, Goermans and Hemsch

All models: 2 x 8’, 1 x 4’, FF-f3, plus transposer

...............................

Options for French Harpsichords:

Table stand with turned, fluted legs	...............................
Table stand with cabriole legs.	...............................
Soundboard painting	...............................
Fourth register in Peau de Buffle	...............................
Lid painting in French style	...............................
Case chinoiseries	...............................

Viennese Fortepianos

5 Octave Viennese Fortepiano after Walter 1800

FF -g3

...............................

6½ Octave Viennese Fortepiano after Streicher

CC-f4

...............................

17th Century Flemish Virginals

Virginal after Ruckers 1604 (5-voet Muselar)

C/E-c3

...............................

‘Mother and Child’ Virginal (6-voet Muselar)

C/E-c3, both

...............................

Options for Flemish Virginals:

Simple turned stand in oak	...............................
Trellis stand in oak	...............................
Flemish block papers with Latin 'Motto'	...............................
Soundboard painting	...............................
Painted faux marble exterior	...............................

16th Century Pentagonal Virginals

'Queen Elizabeth 1’s Virginal after Anon. late 16th Century'

G/B-c3..

...............................

Options for Pentagonal Virginals:

Outer case	...............................
Inner case decoration	...............................
Outer case decoration	...............................

18th Century Bentside Spinets

English Spinets based on several 18th Century models

Base price

...............................

Options for 18th Century Bentside Spinets:

Inner and outer case veneer	...............................
Turned hardwood stand	...............................

18th Century Clavichords

Fretted Clavichord after Hubert 1784

Base price

...............................

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All prices quoted in Canadian dollars. All prices are subject to change. Any applicable
taxes and shipping are not included in prices.

1282 Jefferson Ave., West Vancouver, B.C., Canada V7T 2B1
tel.: (604) 922-9471
Web Site: www.tomlinsonharpsichords.com
E-Mail: craigtomlinson@telus.net